2 results found

 
 
WHEATLEY, Francis engraved by Giovanni VENDRAMINI

Cries of London, Plate 10, Old Chairs to Mend

London: Published by Colnaghi & Co. No. 132 Pall Mall, Sept. 1, 1795. Colour printed stipple engraving. Printed on wove paper. In good condition with the exception of being trimmed just within the platemark on all sides. Margins have some loss to surface of paper. Traces of glue residue on verso of sheet. Small sections of lost paper on upper and bottom margin has been expertly infilled. Image size: 14 x 11 inches. Sheet size: 16 5/8 x 13 1/4 inches.

A wonderful image of a chair mender from Wheatley's famous "Cries of London" series.

The "Cries of London" was a recurring theme in English printmaking for over three centuries. These colourful prints form a visual record of London's "lower orders", the peddlars, charlatans, street hawkers, milkmaids, and grocers who made their living on the city streets. They give the viewer a glimpse of a long forgotten London where tradesmen would advertise their wares with a musical shout or a melodic rhyme. Different versions of the "Cries" vary in tone from idealistic visions of contented street vendors to satirical caricatures of humorous urban figures. One of the most famous series of "London Cries" is the group of pretty pictures executed by Francis Wheatley. Wheatley's series was immensely popular and enjoyed a long period of success in the English print shops. Between 1792 and 1795 Wheatley exhibited 14 paintings of the "Cries" at the Royal Academy. The pictures attracted a great deal of attention at the exhibition and Colnaghi & Co. quickly agreed to publish a series of engravings after Wheatley's famous series. Only thirteen of the fourteen paintings were engraved and they were offered for sale individually or in a portfolio collection. The prints, which were executed in stipple, were engraved by some the most noted engravers in England; artists such as Luigi Schiavonetti, Giovanni Vendramini and Thomas Gaugain all contributed their work to the series. Complete collections of the "Cries" remained immensely popular, and by 1910 they were fetching more than James Audubon's folio "Birds of America" at auction. This lovely print is plate ten in the series and depicts an industrious craftsman mending chairs outside a simple house; St. Paul's is pictured in the background.

Roberts F. Wheatley, R.A. His Life and Works London, 1910, pp.28-32

#12685$700.00
 
 
WHEATLEY, Francis engraved by Giovanni VENDRAMINI

Cries of London, Plate 10, Old Chairs to Mend

London: Published by Colnaghi & Co. No. 132 Pall Mall, Sept. 1, 1795. Stipple engraving. Printed on wove paper. In good condition with the exception of a skillfully mended tear on the left margin outside the platemark. Image size (including text): 14 x 11 inches. Plate mark: 16 3/8 x 12 15/16 inches. Sheet size: 18 ¾ x 14 5/8 inches.

A wonderful image of a chair mender from Wheatley's famous "Cries of London" series.

The "Cries of London" was a recurring theme in English printmaking for over three centuries. These prints form a visual record of London's "lower orders", the peddlers, charlatans, street hawkers, milkmaids, and grocers who made their living on the city streets. They give the viewer a glimpse of a long forgotten London where tradesmen would advertise their wares with a musical shout or a melodic rhyme. Different versions of the "Cries" vary in tone from idealistic visions of contented street vendors to satirical caricatures of humorous urban figures. One of the most famous series of "London Cries" is the group of pretty pictures executed by Francis Wheatley. Wheatley's series was immensely popular and enjoyed a long period of success in the English print shops. Between 1792 and 1795 Wheatley exhibited 14 paintings of the "Cries" at the Royal Academy. The pictures attracted a great deal of attention at the exhibition, and Colnaghi & Co. quickly agreed to publish a suite of engravings after Wheatley's famous series. Only thirteen of the fourteen paintings were engraved and they were offered for sale individually or in a portfolio collection. The prints, which were executed in stipple, were engraved by some the most noted engravers in England; artists such as Luigi Schiavonetti, Giovanni Vendramini and Thomas Gaugain all contributed their work to the series. Complete collections of the "Cries" remained immensely popular, and by 1910 they were fetching more than James Audubon's folio "Birds of America" at auction. This lovely print is plate ten in the series and depicts an industrious craftsman mending chairs outside a simple house; St. Paul's is pictured in the background.

Roberts, F. Wheatley, R.A. His Life and Works London, 1910, pp.28-32

#16096$450.00
 
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